Red Baraat © Splice Magazine – Kristen Derr. Please do not alter images.

Camden, New Jersey (June 11, 2018)Red Baraat are hard to classify. The six-piece band out of Brooklyn, NY showcases musicians from a variety of talents and musical backgrounds. Their sound incorporates elements of Bhangra, jazz, funk, rock, and hip-hop. They’ve been described as energetic, fun, and captivating. But above all, I’ve heard them described as a party band.

Tonight, as the sun set behind the Philadelphia, PA skyline, Red Baraat threw a party for the crowd at Wiggins Waterfront Park in Camden, NJ. The band, led by Sunny Jain on dhol, treated the audience to an hour and a half of their energetic and rhythmic music. This evening Jain was joined by Sonny Singh on trumpet and vocals, Chris Eddleton on drumset, John Altieri on sousaphone, Lynn Ligammari on soprano sax, and Keisuke Matsuno on guitar.

The audience sang, chanted, and shouted along with Jain to their favorite songs such as “Shruggy Ji and “Azad Azad”, a song about “freedom of expression”. I watched in amazement as Altieri jumped and danced with his sousaphone as if it were as light as a feather. Towards the end of the set, Jain announced that their next song will be the title track from their first record, to which a woman in the audience shouted “Chaal Baby!” and continued dancing as if the music hadn’t stopped.

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It is impossible to resist Red Baraat’s energy. By the end of the night, those who began the evening comfortably seated in lawn chairs gave in to beats and were on their feet dancing. Young and old alike bonded over the music.

Yes, Red Baraat is a party band, but they are also so much more. Red Baraat brings people together. At their shows, you will find a community where everyone is welcome.

After leaving 
Camden, NJ. Red Baraat will be playing a few more shows in the US, before heading to Canada and then overseas. They will be back in the United States on July 25. Look for their new record, Sound the People, on June 29th on Rhyme & Reason Records.

Red Baraat:
      

TOUR DATES:
6/22 – Los Angeles, CA – The Satellite
6/25 – Mill Valley, CA – Sweetwater Music Hall
6/26 – Oakland, CA – The New Parish
6/28 – Saskatoon, SK – SaskTel Saskatchewan Jazz Festival
6/29 – Saskatoon, SK – SaskTel Saskatchewan Jazz Festival
6/30 – Victoria, BC – TD Victoria International JazzFest | Centennial Square
7/1 – Vancouver, BC – TD Victoria International JazzFest | David Lam – Park Main Stage
7/25 – Reno, NV – Artown
7/27 – Denver, CO – Clyfford Still Museum Summer Series
7/28 – Basalt, CO – The Temporary
8/11 – Greensboro, NC – Lebauer Park
8/13 – Asheville, NC – The Grey Eagle
8/16 – Madison, WI – The Central Park Sessions
8/17 – Detroit, MI – The Cube at the Max M. & Marjorie S. Fisher Music Center

Wiggins Waterfront:
   

Stay tuned to Splice Magazine for a full album review of Red Baraat’s  Sound the People!

 

Sound the People was produced by Little Shalimar (Run The Jewels) and the band’s Sunny Jain.  An array of special guests and carefully curated covers help to round out the album. “Kala Mukhra” features Pakistani singer and writer Ali Sethi.  Elsewhere on the album are contributions from Heems (Das Racist), American poet and activist Suheir Hammad and  American humorist John Hodgman. The album is the follow up to last year’s Bhangra Pirates and marks a decade of work for Red Baraat. The full bio is below.

…a politically soaked display of energy.” – Stereogum

…heart-pounding, insanely infectious Punjabi folk music.” – NPR

the band explores what it means to communicate music between individuals and across cultures. – SPIN

 

From the moment Sound The People kicks off with “Next Level” – a wild and exuberant confluence of Bhangra music with anthemic, psyched-out twists – it’s clear that Red Baraat are very much taking their sonic signature to a new astral realm. On their newest offering, the Brooklyn-based band continues their exploration of South Asian culture, while firmly placing it within the context of a globalized generation as demonstrated by the diverse backgrounds of its members.

“With the migration that’s happened, there is all this varied and expressive music that has erupted from the South Asian diaspora,” explains founder and bandleader Sunny Jain, who was born to Punjabi parents in Rochester, NY. “Sound The People is a shout out to, and celebration of, this community around the world.”

With these nine songs, Red Baraat turns this celebration into a full-blown infiltration. While the band – completed by Chris Eddleton (drumset), Jonathan Goldberger (guitar), Jonathon Haffner (soprano sax), Sonny Singh (trumpet) and John Altieri (sousaphone) – has streamlined from an eight-piece to a six-piece in the last year, the ever-experimental group, formed in 2008, has once again proven their ability to push musical boundaries and transcend dimensions. Sound the People draws from a vast expanse of influences, from bhangra music to jazz, hip-hop to psych and everything in between, utilizing the musicians’ virtuosity to redefine and reimagine the capabilities of their instruments.

An array of special guests and carefully curated covers help to round out the album. “Kala Mukhra” features Pakistani singer and writer Ali Sethi on a version of the traditional “Gora Mukra,” subverted from the original meaning of “fair-skinned face” to “dark-skinned face” all with a feverish and enthusiastic pace. Elsewhere, the rambunctious and playful “Moray Gari Suno” is their take on one of the first known songs of Chutney music, a mixture of Indian and Caribbean music that gained traction in Trinidad in the 1960s. “Vibrations” is a minimalistic and acoustic improvisation overlaid with a passage by American poet and activist Suheir Hammad about human connection written by Sufi intellect Hazrat Inayat Khan.  A similar ideology reappears on the boisterous closer “Punjaub March”, read by American humorist John Hodgman, a song that marks the historical reality of colonialism’s impact on South Asian marching bands, with Red Baraat reinterpreting and recontextualizing it.

The title track is the central force of the record. A stunning collision of traditional Indian music and insurrectionary hip-hop, “Sound the People” is centered around a politically-charged rap by Heems of Brooklyn hip-hop group Das Racist. Constructed from disparate ideas about the South Asian diaspora, migration and the current political climate, it is a powerful and incisive response to the way the United States has changed since the November 2016 election.

“It’s hard to escape saying something about the time we’re living in,” says Jain, who began writing the album just weeks after Trump’s victory. “So in a sense, the record is a call to action against the various inequalities and injustices that we’re seeing.  We desperately need citizen engagement in response to those injustices.”

Sound the People coalesces to create an album that is simultaneously rebellious, important and fun; an inspiring cacophony of instruments, cultures, and ideas that pay tribute to the way diversity makes, and has always made, America great. It is a defiant battle cry and a confident statement that establishes Red Baraat as one of America’s most vital bands who remain dedicated to the spirit of community and joy, along with a wonderful reminder that we are truly all in this together.

Author: Kristen Derr

Photographer — Portfolio

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